![]() Which seems necesary becasue it seems to alreasy eating up some CPU and doing more complex signalchain might have killed the project on that front. The strenghts come from fact you have virtual analagoe and wavetable and granular and you can combine them as you prefer and that modulation is very easy, good arp, you have versatile signalflows (compensating for rather rigid audio flow). Artists Pigments: A Handbook of Their History and Characteristics, Volume 2. Also the wave shaping stuff has less abilities than the contour. Its a synth foptimized for people who can not think modular.Įven the massive had some routing, here its just 2 OSC -> 2 Filter -> FX (2 Buses), so in that regard weaker than massive X and dont get me started on phaseplant. Here you have your box (SEM filter with it most important knobs) you can switch it on, off or change it to another filter. ![]() It looks pleasent, but clearly its optimized for usefulness: everything you need now is visible and gives you feedback how the value do progress (unlike massive X). Arturia Pigments Vintage Instrument No Hardware Controller No 169 2 Reviews I now have some software synths on my record, but I really like the Arturia. it misses a few things the old massive (let alone the massive X) has and its UI is rather pragmatic that beautiful.
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